2 Review: JETTE PARKER ARTISTS: TALES OF LOVE AND LOSS, Royal Ballet And Opera 3 Review: SAMSON ET DALILA, Royal Ballet And Opera Exciting historical performance ensemble Figure will bring a fresh and ...

Fagioli, though, is something else again. The full-spectrum tantrum of his final aria (“Crude furie degli 'orridi abissi”) became a quite spectacular hissy-fit. It climbed in a trice from ...

Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. In 1738, the statue of Handel as Orpheus, now in the V&A, was unveiled at Vauxhall’s Spring Gardens in London.

This 1738 opera shows the composer at his most mischievous – and this performance at St Martin-in-the-Fields was splendidly done Telegraph Opera Critic, Nicholas Kenyon, is an author and academic, and ...

Serse, 'Xerxes', Movements: Se bramate d'amar, chi vi sdegna Harry Bicket, Conductor Lorraine Hunt Lieberson, Mezzo soprano George Frideric Handel, Composer Orchestra of the Age of Enlightenment Serse ...

Exciting historical performance ensemble Figure will bring a fresh and intimate semi-staged performance of Handel's Serse to London's Opera Holland Park this June. The recently established group aims ...

This 1738 opera shows the composer at his most mischievous – and this performance at St Martin-in-the-Fields was splendidly done With its airy spaces and lively acoustic, James Gibbs’s 1720s church at ...