Romare Bearden, “Watching the Good Trains Go By,” 1964. Collage of various papers on cardboard, 34.9 x 42.9 cm (13 3/4 x 16 7/8) The artist often framed his compositions to resemble what he ...

Bearden's primary medium was the collage, fusing painting, magazine clippings, old paper and fabric, like a jigsaw puzzle in upheaval. But unlike a puzzle, each piece of a Bearden collage has a ...

Romare Bearden, “Watching the Good Trains Go By,” 1964. Collage of various papers on cardboard, 34.9 x 42.9 cm (13 3/4 x 16 7/8) The artist often framed his compositions to resemble what he ...

ROMARE BEARDEN already was an established artist when he rediscovered printmaking in 1964. Revered for vibrant collages and paintings that brilliantly reflected the textures, sights and sounds of ...

Exhibit of Romare Bearden's prints a must-see show at the Hyde By Amy Griffin Dec 13, 2012 Romare Bearden, American, 1911-1988, Come Sunday, 1976, lithograph, 27 3/4 x 211/2 in. Edition 175.

Little enough is certain about the painter Romare Bearden (1911–88) that even the pronunciation of his name remains unclear.In taped interviews, Bearden pronounced it RO-mer-ee, while his intimates ...

Romare Bearden (1911-1988) ... New approaches to the age-old medium of paint were celebrated during this time when abstract expressionism reigned.

FLINT, MI — The Flint Institute of Arts museum and art school will open two engaging new exhibitions featuring works from ...

A new biography explores Bearden’s life, art and ties to the region: “Romare Bearden in the Homeland of his Imagination: An Artist’s Reckoning with the South.” (UNC Press, $40.

Romare Bearden, “Watching the Good Trains Go By,” 1964. Collage of various papers on cardboard, 34.9 x 42.9 cm (13 3/4 x 16 7/8) The artist often framed his compositions to resemble what he ...