Kelsey Mann On How It Feels To Make The Highest-Grossing Feature Directorial Debut ($1.7 Billion!) In History With ‘Inside Out 2' – Behind The Lens
When a filmmaker's first-ever feature directorial credit makes $1.7 billion at the global box office, you should pay ...
Anxiety Dream: How a New Character Gave ‘Inside Out 2’ Just the Right Jolt
Anxiety, "Inside Out 2" director Kelsey Mann says, switches the "power of imagination ... to this worst-case scenario" ...
‘Inside Out 2’ Director on Capturing Growing Up as a Teenager Through Riley and Joy: ‘What Does It Feel Like to Be Replaced?’
At the Variety FYC Screening presented by Disney & Pixar, "Inside Out 2" director Kelsey Mann talked about capturing the ...
How the ‘Best Meeting in the World' Led Kelsey Mann to the Biggest Hit of 2024
The director of "Inside Out 2" tells the Filmmaker Toolkit podcast about making his feature directorial debut on the Pixar ...
Inside Out 2 director has ‘lots of ideas for other lands and emotions in the mind’ for a third movie
TechRadar speaks to the writer and director of Pixar’s Inside Out 2, Kelsey Mann, about the potential for a third movie.
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How Filmmakers Made INSIDE OUT 2 2024’s Biggest Hit
INSIDE OUT 2 was a huge hit last year, becoming the first animated film in history to hit $1 billion. The story focuses on ...
‘My goal was to direct Empire Strikes Back’: Inside Out 2 director on making the most successful animated movie ever
Like Star Wars: The Empire Strikes Back, Inside Out 2 made more money at the box office than the original, marking its ...
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How simplifying the new emotions unlocked Disney-Pixar’s ‘Inside Out 2’
The follow-up, on which Mann makes his feature-directing debut and has a story credit, finds Riley at 13, a happy teen who is ...
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HSC students look to the future with hope
Like his peers Tom Burkitt found the HSC to meet his expectations - he had an ATAR of 70.85, and Band 5s in industrial ...
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How the ‘Best Meeting in the World’ Led Kelsey Mann to the Biggest Hit of 2024
Kelsey Mann had worked at Pixar in a variety of capacities but never directed a feature when he was called in for a meeting with company president Jim Morris and chief creative officer Pete Docter.