Why have one review when you can have three? Here, Jenny Wu assesses Art and Science Collide as an Expo for a history of ...

Why have one review when you can have three? Here, Claudia Ross wonders if military technology has influenced the foundations ...

Why have one review when you can have three? Here, Angella d’Avignon explores art’s capacity to heal the natural world – or extract from it ...

Four critics from around the world re-view the review Contemporary life is cushioned in evaluation: suggested routes to walk ...

In this exchange and multi-material resource, Gillick and Haacke discuss Documenta, the Bundestag, and problems with ...

An engaging account by Roger Crowley of the early trade wars between Spain and Portugal serves as a reminder of how money, greed and exploitation continues to shape the world ...

A collection of straight-talking essays and interviews capture the artist’s idiosyncratic perspective on America ...

In Ah, Sugar, the artist conjures the fraught space of the domestic sphere in sculptures and photographs that join the sensuous with the symbolic In Marlene Smith’s exhibition the titular substance is ...

In ‘Ah, Sugar’, the artist conjures the fraught space of the domestic sphere in sculptures and photographs that join the sensuous with the symbolic ...

The Thai artist’s pop-inflected collage-paintings are underpinned as much by the adaptability of the immigrant mindset as ...

The latest iteration of the nomadic biennial, stretching across the entire Barcelona metropolitan area, is spread far too thin ...

In the second gallery, island, located on the Bowery, visitors were asked to remove their shoes and invited to rest on large ...